INTERVIEW with ERIC ADAMS
This interview conducted Sheila Rene'.
Manowar have kept the faith and now they're back on a major label with
some great tunes. (Album: Louder Than Hell) There are a couple of almost ballad
type songs. I'm sure everyone can relate to the tune "Outlaw" since most bikers not
unlike the early cowboys consider themselves outlaws. Two great, I mean great,
songs come together in "Today Is A Good Day To Die" which comes from the great
chief Crazy Horse. It's what he told his warriors when they went into battle. "My
Spirit Lives On" represents the ascendance of the warrior spirit and the
transcendence of everyday life. These two songs paint a larger-than-life picture to
all of us. I love this band.
Sheila: Welcome to my interview line.
Eric: I know this is Texas. You've got a
Texas accent.
Sheila: I'm Texas born but I don't think I
have a big accent.
Eric: Do you have blond hair?
Sheila: Yes.
Eric: Then you're a Texan. That's all there is
to it.
Sheila: I'm happy you all still have your long
hair.
Eric: That's absolutely right.
Sheila: 'And if you like metal you're my
friend' from cut one, side one, "Return Of The Warlord." This is such a wonderful
album and it takes me back to the beginning of the whole rock thing. Metal still rules!
Eric: Oh, yeah. Let me tell you, Sheila, we
can't change.
Sheila: Neither can I.
Sheila: As a matter of fact, metal is more of
a life style than a genre of music.
Eric: You're absolutely right.
Sheila: I've had to take a lot of guff over the
years for my metal habit.
Eric: That's why metal will never die. Never.
Like the song says...
Sheila: Any album that talks about heavy
metal in the lyrics has me liking the music right away. I love that anthem stuff.
Eric: That's great.
Sheila: Help me out with some years here.
You were on Capitol in '82 for "Battle Hymns;" on Geffen for '83's "Into Glory Ride"
and '83's "Hail To England;" one record for Virgin, "Sign Of The Manner" in '84;
then on to Atlantic for four albums, '87's "Fighting The World," '88's "King Of Metal"
and '92's "The Triumph Of Steel" and now back on Geffen. Whew! Is the boxed set
that features "Into Glory Ride" and "Hail to England" still available?
Eric: It sure is. It was on Geffen, but it's
available on import.
Sheila: Somehow I lost touch with you with
all the label changing. What's the biggest lesson you've learned about this?
Eric: It's that we're doing something right.
We're still around. Every place we play there are more and more people out to see
us. So, the record companies don't know what they're talking about when they try
and change you.
Sheila: The impressive thing to me is that
we're getting back to escaping all the things that the angst bands have been writing
about. I love it that the lyrics are about serious matters and I find them refreshing.
However, I do miss my metal lyrics.
Eric: You know we firmly believe this and we
live like this. If you believe something is right, then go for it. We believe this music is
right for our band. Regardless of what any record company might say to us, we're
not going to change our style.
Sheila: That's what I like about the
Foundations Forum, MusicFest conventions. Everyone you meet is into the same
music you're into. It's so much fun and the biggest party on earth.
Eric: We're booked in Europe this year when
that takes place.
Sheila: I called Geffen today to find out
where the Manowar website was?
Eric: They said it's not up yet.
Sheila: So I asked them when they thought
they'd get it up? She's was hoping that it would be up by the time this album hits the
streets.
Eric: We do have a guy who has put us up
on the Internet. Do a search for our band and it'll come up. It gets updated with new
information all the time. You can also pull up our European websites with a search.
Sheila: I think I've always interviewed Ross
the Boss over the years. It's nice to be talking to you since you were an original
member.
Eric: Yep, I'm still rockin'.
Sheila: I really love the song "Courage" on
this album.
Eric: That was written a long, long time ago.
I'll say around '85 or '86. We originally recorded it when we were on Virgin. We never
released it in the States, but we did a French version. We thought it would be best to
hold on to that song. We already had a slow track on that particular album. When we
did want to release it we were on a different label. Virgin said it was their song, they
paid for it and we couldn't record it and they couldn't release it. It was in limbo until
this year. We've since added a new bridge section and a new chorus section. It's a
great track.
Sheila: John Kalodner, who signed you to
Geffen, is now with Sony. How has that impacted you and your dealings with the
label?
Eric: He's working for Sony but he's still
behind us. He's there for us. He represents us at Geffen and attends our meetings.
He's a dear friend. This is his baby all the way.
Sheila: That's great to hear. He's certainly
always appeared to be a man of principle and honor. You write a song, "King" for
this album which pays tribute to him.
Eric: He certainly is the best, and he worked
on all these tracks with us. We show him what we've done, he listens and then
advises us what we should do. He'd come back in a few months and listen again.
He's a god in this industry, well-respected and sincere. When he walks through the
halls at Geffen and Sony everyone acknowledges his prescence.
Sheila: What kind of studio did you put
together in New York? You're calling it Haus Wanfried after Richard Wagner's
house?
Eric: That's right. It's really cool and we have
a lot of space. We have an office for the fan club, a work space for the electronic
genius who works on all our gear. The actual recording room itself is absolutely
huge.
Sheila: Isn't it a real high when you take
control of your career again?
Eric: It is really great because it works out
really well for us. When it comes time to record the album it's a creative process. If
you're too creative that day, you've had too much on your mind and it's not coming
off on the tape, it's no big shake. You're not paying by the hour so you can just go
home and call it a day. It's a very comfortable atmosphere here and it's also our
rehearsal hall.
Sheila: I think you're set. Are there any other
songs you brought back from years ago?
Eric: (laughter) Actually "Brothers Of
Metal Pt.1" was written in '85 and stored away. When it came time to re-do the track
we ripped it apart and it's funny, the record company suggested that we come up
with an album of just brothers of metal takes. We recorded the song in many styles,
but we finally came up with the one on this album.
Sheila: There's nothing like anthem metal.
Eric: We try to get our fans involved. It's part
of the magic of a live show. It gives us the power and the energy for the next song.
Sheila: Are you still at 129.5 decibels? I think
you've been given the mantle as being the loudest ever.
Eric: Loudest band, most powerful band in
the world is Manowar. We broke the Guinness record for the loudest band
in the world.
Sheila: I used to think Motorhead
was. I remember leaving the music and going out to the courtyard at The Old
Waldorf only to have my clothes still vibrating from their sound.
Eric: They used to think they were too until
they opened a show for us in New York.
Sheila: Have you ever taken any voice
lessons?
Eric: I went to the school of hard knocks.
That's where you learn that you can't continue to sing if you have a sore throat after
one night.
Sheila: The way you sing, well, if you weren't
doing it right you wouldn't have a voice left.
Eric: No, you couldn't do it. I sing from my
diaphragm. That's the only way to go. I learned the scream technique from Ian
Gillan. I was a big fan of his and I would follow Deep Purple everywhere they would
play. I was there. When I heard that scream I said to myself, 'I have to do that
somehow.' I just kept working on it and I developed a style all my own.
Sheila: Joey is still hitting it on every note.
What a legacy to grow up as a bass/pyro tech for Black Sabbath.
Eric: He's absolutely insane. (laughing)
He has to be insane to come up with all these songs. He worked with Black Sabbath
years and years ago. Now he's just a workaholic. He got his feet wet with Sabbath
and got into this industry. He's band spokesman half the time, he's our manager.
He's our producer on the albums. Today he's down in Ithica editing our video.
Sheila: What tune?
Eric: We did "Return Of The Warlord" as the
first video. There are four or five videos that are planned for this album.
Sheila: Your comments on the Harleys?
Eric: Have you seen them yet?
Sheila: I'm looking at the pictures right now.
I like the way you mixed the actual sound of the Harley with the guitar sound.
Eric: It's my bike as a matter of fact. We
brought it right into the studio.
Sheila: What model?
Eric: They're custom made for us with 240
engines. They're really, really happening. We're driving them to the record store in
Chicago soon for an autograph session. Wait until you see the video.
Sheila: Who produced this time?
Eric: We did it ourselves. Then they told us
they didn't think they should spend the money on a video. We told them that we
thought it would happen with the motorcycles. It's part of what we are.
Sheila: I hear the Latin MTV is having a ball
with metal these day, unlike the U.S. gutless wonders.
Eric: You've got that right. All you need is a
passport, Sheila. Come on get a passport and come on the road with us.
Sheila: Damn that sounds good. What's the
scariest thing a fan has ever done? Your fans are well known for traveling
thousands of miles just to see you play. Can they top your signing a record
contract in blood as you guys did?
Eric: Well, I don't know. We signed a contract
in blood, that's true. It was just a sign that meant we mean what we say. We're
behind this with our lives. We've had a lot of fans do some crazy things. That's
what we like about our fans. One person came down to Munich, Germany, from the
northern tip of Scandinavia and hitch hiked to do it. To me that's nuts. It's snow, it's
cold and a long trip. We put him on the bus and he rode with us a few days. The kind
of devotion we still get is sensational. I'm looking at a picture of a fan who has had
his back tattooed with the "Triumph Of Steel" album cover. It covers his whole back.
Sheila: What's Ross the Boss doing these
days?
Eric: Ross is living in New York, married
with one kid. The last I spoke to him he was going overseas with The Dictators.
Sheila: I remember interviewing him when
he was in The Dictators before Manowar.
Eric: In fact, the Dictators will be playing
around Europe while we're there.
You have always been known as much for your artwork as the music. I've got an
advance copy that doesn't have any artwork. What's it like?
Eric: We're serious about our artwork.
(laughing) Well, I'll tell you so everyone on the Internet can know. It's a picture
of the warrior chief with no face, simply because the hero who's the warrior is
anybody who believes in themselves. He's smashing two pillars with his fist. The
pillars are breaking apart as he hits them. There's the bolt of lightning that comes
off his fists. The graphics are incredible. There are signs that true fans will
recognize. There's the sword, the hammer of Thor which is also on our
motorcycles. I have the sword on mine, I think Joey's has the hammer, Scott has
another weapon on his. There's a snake on the cover with a crown and a ring. Little
things that are back from previous albums. We all have symbols. Joey's symbol is a
circle, mine is a triangle and somewhere carved in the stone you see all our
symbols. Very eerie and very cool.
Sheila: What do you think about music today.
Do you really feel that metal is ready to become ¹1 again?
Eric: In America, I hope so. Geffen surely
believes it and that's a good sign. They're behind this project big time. They've
been to Europe to hear us play and they know how crazy our European fans get for
this band. There's no reason why our American fans won't go crazy too. We just
have to get out there and start playing.
Sheila: Has there ever been a Manowar
comic book?
Eric: There have been some comic books.
We've had them sent to us. It's really weird to read a comic book with someone with
the name Eric Adams in the comic strip... and Joey. It was a cool thing.
Sheila: I would think that with all the
recording done, you're ready to roll.
Eric: We're biting our lips.
Sheila: "Nobody controls our god damned
lives, we're wearing leather on a silver horse..."some lyrics from "Return Of The
Warlord".
Eric: You said it. We're roaring and ready.
Sheila: Any idea when you'll get back to
playing some U.S. dates?
Eric: Well, we're doing some warm up dates
in northern Pennsylvania and Ohio. We'll go for promo next week and we get back
from Europe in late October — then we're in France on November 4 and South
America on November 14. We've got a lot of fans over there. In December we want
to hit the big clubs across the country. We could hit Austin in December. We'll see
what happens.
Sheila: The Rolling Stones have done us all
a favor don't you think. They've made it so fashionable to be old and still cranking
out the great tunes.
Eric: It's surely a test of their spirit. Let me
tell you they love what they're doing and it's still happening for them with great
songs. They're making their fans happy and that's what it's all about.
Sheila: There have been more than one
occasion that rock and roll has been pronounced dead. Wrong, bullet breath, we're
not giving up. Look at all the Blues guys who're still playing in their 90's.
Eric: Don't worry Sheila, it's never going to
die. As long as there are fans out there, the bands have to give it their all. They owe
it to the fans.
Sheila: Thanks for your time.
Eric: When are we going to see you?
Sheila: When you hit Austin I'll be in the
front row.
Eric: Get there early so we can visit
backstage.
Sheila: You got it darlin'.
Eric: Take care and we appreciate your help.
September 1996
This interview is taken from
rocknet.com
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